Keep moving...

I managed to get some work done a bit faster than expected today so that meant I was able to get this idea out of my head and onto paper just before the end of the current challenge at Lost Coast Designs where the theme is Steampunk/Vintage.

I thought I was going to have to sit this one out but while trying to get to sleep last night I remembered this emobssing folder and thought it would probably do a lot of the work for me - I made this in about 40 minutes which is incredibly fast for me! Remembering I had an Einstein quote in my stash of stamps meant I didn't faff around trying to make a quote with die cuts or alphabet stamps etc, too!

Einstein was stamped on Kraft card and I thought it would be fun to give him his famous shock of white hair with fairly rough and ready strokes of a white paint pen. He's cut out and stuck on with a bit of gel glue for some lift. The background is the same Kraft card, embossed and then inked with brushes and some gold ink swiped directly from the pad over the high spots.

Stamps:
Einstein (Carmen's Veranda)
Bicycle Life (Cornish Heritage Farms, no longer with us)

Paper:
Recycled Kraft board envelope (well known online retailer!)
Bristol board

Ink:
Versafine by Tsukineko (Onyx Black)
Tim Holtz Distress ink by Ranger (Vintage Photo) and Oxide (Evergreen Bough)
Adirondack dye ink by Ranger (Espresso)
Delicata by Tsukineko (Golden Glitz)

Other:
Uber embossing folder (Couture Creations)
White paint pen by Posca
Stitched rectangle dies, A6 size (Paper Rose)
Pinflair gel glue

March elements

Miri has set our challenge over at Daring Cardmakers today and as it’s the first Friday of the month of course it’s an “elemental” one - just choose at least three elements from the inspiration picture to include on your card.

That’s Crafty had a plate of Viva Las Vegastamps at a price I couldn’t resist in their end of year clear out sale - I really wanted it for the police box/Tardis image that’s on there but Brian Kesinger’s quirky illustration style should provide some fun, too!

Presumably Otto can build up a lot of speed on that penny farthing since he’s wearing driving goggles. Maybe when his tentacles get tired he just switches to a different pair since he has eight to chose from!

From the inspiration picture this month (it’s at the end of this post if you didn’t arrive via the DCM blog) I chose quirky octopus, painty strokes, little gold circles in threes, typewriter font and the colours. I stamped the image on the card just below the painty background and then stamped again on a scrap piece, coloured Otto, cut him out and stuck him on with gel glue so he’s raised up. The tiny circles are “stamped” with the little tube that’s sometime threaded on the end of a fine paintbrush to protect the bristles.

Stamps:
Otto's Sweet Ride (from Plate 909, Viva Las Vegastamps)
Sentiment from Mini Memories (Crafty Secrets, no longer with us)

Paper:
Bristol board 

Ink:
Brilliance by Tsukineko (Graphite Black)
Delicata by Tsukineko (Golden Glitz)

Other:
Copic markers
Coloured pencils
Acrylic paints
Pinflair glue gel
Stitched rectangles dies, A6 size by Paper Rose

Here's our inspiration picture this month:

Steampunk snowflakes

Handling lots of cog shapes for Andy Skinner's Book of Secrets workshop reminded me of the fact I've always thought that the smallest snowflake in my Spellbinder set looks like a spiky cog. That set me thinking about steampunk snowflakes and this is the result.

It started life as a coffee tin and I had fun trying out a different colour combo for a more silvery/gunmetal style finish. I  added some detail like a line of glue at the "shoulder" for a welding seam and cheap Christmas bead chain in the groove around the top of the canister where the original lid would screw on because I decided that one looked too heavy on it once I'd done all the decorating. I made a new lid that just rests inside the top rim (it's several circles of cereal packet board glued together - the texture is scrunched up tissue stuck over the top - with a little wooden knob glued into place).

Supplies:
Coffee tin
Die cuts
Flat back pearls
Bead chain
Deep midnight blue and Prussian blue Americana acrylic paints by DecoArt
Shimmering Silver metallic acrylic paint by DecoArt
Texturizing medium by DecoArt
Cardstock
Wooden knob
Tissue paper

Gosh - no stamping! It's been a while since that happened.

Thanks for stopping by!

Book of Secrets!

I've been doing something new! I've never taken part in an online workshop before but I'm currently doing Andy Skinner's Book of Secrets one and having fun! Andy gets some fantastic finishes on his projects and steampunk is way outside my normal comfort zone so I decided to sign up and see what I could learn.

This post is a bit picture-heavy - sorry!

Andy uses a wooden box as the base for his tutorials but I decided to take the "book" part of the workshop title literally and I've used a real book as the base for my project. The people who owned our house before us left behind loads of "books by the yard" and we've never done anything with them. I chose one that looked extremely unlikely to have any financial or cultural value and set to work!

One of the things I struggle with on steampunk is the "more is more" aspect. I find it difficult to add lots of stuff and still feel happy with the overall composition. I think I did OK here and I didn't go for a straight copy of Andy's sample (trying to copy something is always a recipe for disaster at my craft table!).

The "power indicators" (flat back gems) were something that struck me as a fun addition to the mechanical components.

Andy adds dates to his large compass with metal punches. I liked the idea but didn't have the punches to achieve it. What I did have was an embossing tool with interchangable tips that my dad picked up for me at a car boot sale (thanks Dad!). I used it with a hammer to add detail right round the inside of the compass. I think it works quite well.

The spine has been given a leather-look makeover. It's not easy to tell that the book started life as a blue cloth-bound hardback and I think this would probably look quite convincing lined up with other volumes on a shelf!




I carved out a niche inside the book for the inner workings of the machine. I thought a butterfly would provide a suitably unexpected power house for a steampunk contraption and the light/bright colouring makes a nice contrast to the industrial tones.

Lessons for niche carving - be prepared to even up the right hand side once the pages are glued together as there's a surprising gradient on the pages of a closed book!  The slope on the left goes towards the spine and can't be seen but the slope on the right obviously goes into the niche itself.

Here's a detail of the texture on the cogs - nice and rusty!



Supplies:
Old book
Tand Creative chipboard shapes (Compass Duo and Cogs grab bag)
Die cuts
Cardstock
Lamp black, Burnt umber, Burnt sienna Americana Acrylic paints by DecoArt
Texturizing medium by DecoArt
Brads, googly eyes, flatback pearls and gems
Sun charm (saved from a freebie chiffon scarf)
Wings stamp set (Darkroom Door)
"Engine" and number from a retired B&O Railroad set (CHF)
Ranger Perfect Pearls
Copic markers

This is not quite complete yet - I need to do the back and as the niche only goes about half way down the depth of the book I've stuck together some pages so I have a couple of surfaces to decorate. I got distracted into trying a second project though, I'll share that soon!

The Book of Secrets workshop is running again at the end of the month - details of what it entails are here if anyone would like them.

Thanks for stopping by!