The Tando Creative DT girls are hopping today - we've been playing with masks and we'd love you to join us! If you didn't start at the Tando Blog you might want to check in there for details of how to be in with a chance of winning a lovely Tando prize during the hop (there are some details about what's happening for the Birthday Bash next week, too!).
Masks are great for one layer cards. I've used the new Distorted Hive mask for this one - I love the "movement" created by the distortion which makes it perfect for added interest when you're working with a single layer and don't want to end up with something that looks too regimented.
After sponging ink through the mask, the bees were stamped, bleached to get rid of the Distress ink in those areas and then coloured with Copics.Some colours bleach out better than others and I have to say that Mustard Seed was a dream! I added a little clear Spica over the wings for subtle sparkle. I managed to keep the colouring light enough that there's no bleed through so this can stay as a genuinely one layer card with no insert - hooray!
Supplies:
Distorted Hive mask (Tando Creative)
Queen Bee stamp set (Crafty Secrets)
Sentiment from Petite Posies (Technique Tuesday)
Tim Holtz Distress ink by Ranger (Mustard Seed)
Brilliance ink by Tsukineko (Graphite Black)
Copic markers
Copic Spica glitter pen (clear)
Corner Chomper
This is Tando Creattive Distorted Hive Mask used here:
The next stop along the Tando hop is Kaz who loves her masks so I'm sure there'll be a treat in store! Don't forget to leave a comment here before you go if you're playing for the chance to win a prize - thanks for stopping by!
Monday, 24 September 2012
Wednesday, 19 September 2012
One layer birthday
A quick and easy one layer card today by way of contrast with the steampunky stuff in the last couple of posts!
The boy with the book was stamped and masked then the central square masked off with Post-It notes and sponged with ink. I inked the background stamp randomly and didn't press hard so there's a "hit and miss" kind of randomness to contrast with the very straight lines of the inked square.
I added a tiny bit of shading to the boy's skin and clothing with Copics, stamped a sentiment and called it done.
The stamp is from the Relish Reading set that I picked out as a prize when I won a Gingersnap challenge some time ago - thanks Rogue Redhead! I've seen quite a few cards made with the girl reading in a chair that's in the same set but this chap doesn't seem to get much of a look-in - a shame I think as he's good for more masculine projects!
Supplies:
Relish Reading stamp set (Rogue Redhead Designs)
White cardstock
Adirondack ink by Ranger (Espresso, Mushroom, Pebble)
Versafine ink by Tsukineko (Vintage Sepia)
Copic markers
Thanks for stopping by!
The boy with the book was stamped and masked then the central square masked off with Post-It notes and sponged with ink. I inked the background stamp randomly and didn't press hard so there's a "hit and miss" kind of randomness to contrast with the very straight lines of the inked square.
I added a tiny bit of shading to the boy's skin and clothing with Copics, stamped a sentiment and called it done.
The stamp is from the Relish Reading set that I picked out as a prize when I won a Gingersnap challenge some time ago - thanks Rogue Redhead! I've seen quite a few cards made with the girl reading in a chair that's in the same set but this chap doesn't seem to get much of a look-in - a shame I think as he's good for more masculine projects!
Supplies:
Relish Reading stamp set (Rogue Redhead Designs)
White cardstock
Adirondack ink by Ranger (Espresso, Mushroom, Pebble)
Versafine ink by Tsukineko (Vintage Sepia)
Copic markers
Thanks for stopping by!
Monday, 17 September 2012
Steampunk snowflakes
Handling lots of cog shapes for Andy Skinner's Book of Secrets workshop reminded me of the fact I've always thought that the smallest snowflake in my Spellbinder set looks like a spiky cog. That set me thinking about steampunk snowflakes and this is the result.
It started life as a coffee tin and I had fun trying out a different colour combo for a more silvery/gunmetal style finish. I added some detail like a line of glue at the "shoulder" for a welding seam and cheap Christmas bead chain in the groove around the top of the canister where the original lid would screw on because I decided that one looked too heavy on it once I'd done all the decorating. I made a new lid that just rests inside the top rim (it's several circles of cereal packet board glued together - the texture is scrunched up tissue stuck over the top - with a little wooden knob glued into place).
Supplies:
Coffee tin
Die cuts
Flat back pearls
Bead chain
Deep midnight blue and Prussian blue Americana acrylic paints by DecoArt
Shimmering Silver metallic acrylic paint by DecoArt
Texturizing medium by DecoArt
Cardstock
Wooden knob
Tissue paper
Gosh - no stamping! It's been a while since that happened.
Thanks for stopping by!
It started life as a coffee tin and I had fun trying out a different colour combo for a more silvery/gunmetal style finish. I added some detail like a line of glue at the "shoulder" for a welding seam and cheap Christmas bead chain in the groove around the top of the canister where the original lid would screw on because I decided that one looked too heavy on it once I'd done all the decorating. I made a new lid that just rests inside the top rim (it's several circles of cereal packet board glued together - the texture is scrunched up tissue stuck over the top - with a little wooden knob glued into place).
Coffee tin
Die cuts
Flat back pearls
Bead chain
Deep midnight blue and Prussian blue Americana acrylic paints by DecoArt
Shimmering Silver metallic acrylic paint by DecoArt
Texturizing medium by DecoArt
Cardstock
Wooden knob
Tissue paper
Gosh - no stamping! It's been a while since that happened.
Thanks for stopping by!
Labels:
altered,
andy skinner,
steampunk
Friday, 14 September 2012
Book of Secrets!
I've been doing something new! I've never taken part in an online workshop before but I'm currently doing Andy Skinner's Book of Secrets one and having fun! Andy gets some fantastic finishes on his projects and steampunk is way outside my normal comfort zone so I decided to sign up and see what I could learn.
This post is a bit picture-heavy - sorry!
Andy uses a wooden box as the base for his tutorials but I decided to take the "book" part of the workshop title literally and I've used a real book as the base for my project. The people who owned our house before us left behind loads of "books by the yard" and we've never done anything with them. I chose one that looked extremely unlikely to have any financial or cultural value and set to work!
One of the things I struggle with on steampunk is the "more is more" aspect. I find it difficult to add lots of stuff and still feel happy with the overall composition. I think I did OK here and I didn't go for a straight copy of Andy's sample (trying to copy something is always a recipe for disaster at my craft table!).
The "power indicators" (flat back gems) were something that struck me as a fun addition to the mechanical components.
Andy adds dates to his large compass with metal punches. I liked the idea but didn't have the punches to achieve it. What I did have was an embossing tool with interchangable tips that my dad picked up for me at a car boot sale (thanks Dad!). I used it with a hammer to add detail right round the inside of the compass. I think it works quite well.
The spine has been given a leather-look makeover. It's not easy to tell that the book started life as a blue cloth-bound hardback and I think this would probably look quite convincing lined up with other volumes on a shelf!

I carved out a niche inside the book for the inner workings of the machine. I thought a butterfly would provide a suitably unexpected power house for a steampunk contraption and the light/bright colouring makes a nice contrast to the industrial tones.
Lessons for niche carving - be prepared to even up the right hand side once the pages are glued together as there's a surprising gradient on the pages of a closed book! The slope on the left goes towards the spine and can't be seen but the slope on the right obviously goes into the niche itself.
Here's a detail of the texture on the cogs - nice and rusty!
Supplies:
Old book
Tand Creative chipboard shapes (Compass Duo and Cogs grab bag)
Die cuts
Cardstock
Lamp black, Burnt umber, Burnt sienna Americana Acrylic paints by DecoArt
Texturizing medium by DecoArt
Brads, googly eyes, flatback pearls and gems
Sun charm (saved from a freebie chiffon scarf)
Wings stamp set (Darkroom Door)
"Engine" and number from a retired B&O Railroad set (CHF)
Ranger Perfect Pearls
Copic markers
This is not quite complete yet - I need to do the back and as the niche only goes about half way down the depth of the book I've stuck together some pages so I have a couple of surfaces to decorate. I got distracted into trying a second project though, I'll share that soon!
The Book of Secrets workshop is running again at the end of the month - details of what it entails are here if anyone would like them.
Thanks for stopping by!
This post is a bit picture-heavy - sorry!
Andy uses a wooden box as the base for his tutorials but I decided to take the "book" part of the workshop title literally and I've used a real book as the base for my project. The people who owned our house before us left behind loads of "books by the yard" and we've never done anything with them. I chose one that looked extremely unlikely to have any financial or cultural value and set to work!One of the things I struggle with on steampunk is the "more is more" aspect. I find it difficult to add lots of stuff and still feel happy with the overall composition. I think I did OK here and I didn't go for a straight copy of Andy's sample (trying to copy something is always a recipe for disaster at my craft table!).
The "power indicators" (flat back gems) were something that struck me as a fun addition to the mechanical components.
Andy adds dates to his large compass with metal punches. I liked the idea but didn't have the punches to achieve it. What I did have was an embossing tool with interchangable tips that my dad picked up for me at a car boot sale (thanks Dad!). I used it with a hammer to add detail right round the inside of the compass. I think it works quite well.
The spine has been given a leather-look makeover. It's not easy to tell that the book started life as a blue cloth-bound hardback and I think this would probably look quite convincing lined up with other volumes on a shelf! 
I carved out a niche inside the book for the inner workings of the machine. I thought a butterfly would provide a suitably unexpected power house for a steampunk contraption and the light/bright colouring makes a nice contrast to the industrial tones.
Lessons for niche carving - be prepared to even up the right hand side once the pages are glued together as there's a surprising gradient on the pages of a closed book! The slope on the left goes towards the spine and can't be seen but the slope on the right obviously goes into the niche itself.
Here's a detail of the texture on the cogs - nice and rusty!Supplies:
Old book
Tand Creative chipboard shapes (Compass Duo and Cogs grab bag)
Die cuts
Cardstock
Lamp black, Burnt umber, Burnt sienna Americana Acrylic paints by DecoArt
Texturizing medium by DecoArt
Brads, googly eyes, flatback pearls and gems
Sun charm (saved from a freebie chiffon scarf)
Wings stamp set (Darkroom Door)
"Engine" and number from a retired B&O Railroad set (CHF)
Ranger Perfect Pearls
Copic markers
This is not quite complete yet - I need to do the back and as the niche only goes about half way down the depth of the book I've stuck together some pages so I have a couple of surfaces to decorate. I got distracted into trying a second project though, I'll share that soon!
The Book of Secrets workshop is running again at the end of the month - details of what it entails are here if anyone would like them.
Thanks for stopping by!
Labels:
altered,
andy skinner,
darkroom door,
DecoArt,
mixed media,
rubber stamping,
steampunk,
tando
Friday, 7 September 2012
Postcard extras!
I may have got just a little carried away with postcard making when I got going on the Bubbly Funk swap! I did an extra couple with the same sort of look and feel as the first but different compositions.
I used old music paper as the base layer on this one rather than using the music stamp as a background which has made the colour slightly different as it was a more yellowy base under the Bundled Sage ink.
I thought the ornate italic font of the sentiment went well on here!
Bubble border, butterflies and Copic colouring as before.
For the third one I wanted to mimic the vertical lines of bubbles that appear in the forum header. I made dots with a Versamark pen and heat embossed with white powder before inking the background.
I used the same trick as I did on the original card of stamping with a Copic cap and tiny rubber washer to make bubbles and then stamped the sheet music background and wording randomly over the top.
Stamps:
Wings set (Darkroom Door)
Bubble Border (Lost Coast Designs)
Aged Sheet Music Scrapblock (Cornish Heritage Farms, retired)
Paper:
Cryogen white
Old sheet music
Ink:
Brilliance by Tsukineko (Graphite Black)
Tim Holtz Distress ink by Ranger (Bundled Sage)
Other:
White embossing powder
Copic markers
Thanks for stopping by, hope you have a lovely weekend!
I used old music paper as the base layer on this one rather than using the music stamp as a background which has made the colour slightly different as it was a more yellowy base under the Bundled Sage ink.
I thought the ornate italic font of the sentiment went well on here!
Bubble border, butterflies and Copic colouring as before.
For the third one I wanted to mimic the vertical lines of bubbles that appear in the forum header. I made dots with a Versamark pen and heat embossed with white powder before inking the background.
I used the same trick as I did on the original card of stamping with a Copic cap and tiny rubber washer to make bubbles and then stamped the sheet music background and wording randomly over the top.
Stamps:
Wings set (Darkroom Door)
Bubble Border (Lost Coast Designs)
Aged Sheet Music Scrapblock (Cornish Heritage Farms, retired)
Paper:
Cryogen white
Old sheet music
Ink:
Brilliance by Tsukineko (Graphite Black)
Tim Holtz Distress ink by Ranger (Bundled Sage)
Other:
White embossing powder
Copic markers
Thanks for stopping by, hope you have a lovely weekend!
Labels:
CHF,
darkroom door,
lost coast designs,
postcard,
rubber stamping
Wednesday, 29 August 2012
Bubbly Funk postcard swap
My long-time favourite crafty forum is Bubbly Funk - great bunch of crafters and a lovely community feeling. We're having a postcard swap and I set the theme. I used the forum's header for inspiration and gave people the choice between:
I combined the two using all except ivory in the colour scheme and everything except lace for the images. I floated bubbles up out of the stamped border by using the cap off one of my Copics and a tiny rubber washer pressed into the Bundled Sage ink pad. I added some shading to a few bubbles with Copics and some Stickles to a few for sparkle.
The focal butterfly is coloured with three shades of pink Copic and the rest are grey. Aged sheet music stamped tone-on-tone adds some background interest (I masked the big butterfly but not the others and aimed for a hit-and-miss coverage with the stamp for a slightly shabby look).
Stamps:
Wings set (Darkroom Door)
Bubble Border (Lost Coast Designs)
Aged Sheet Music Scrapblock (Cornish Heritage Farms, retired)
Paper:
Cryogen white
Black
Ink:
Brilliance by Tsukineko (Graphite Black)
Tim Holtz Distress ink by Ranger (Bundled Sage)
Other:
Copic markers
Stickles (Frosted Lace)
I'm sending to Wendy, hope she likes it!
Thanks for stopping by!
- Use any combination of butterflies, lace, bubbles and music
- Use at least three from light green, pink, grey, black and ivory
I combined the two using all except ivory in the colour scheme and everything except lace for the images. I floated bubbles up out of the stamped border by using the cap off one of my Copics and a tiny rubber washer pressed into the Bundled Sage ink pad. I added some shading to a few bubbles with Copics and some Stickles to a few for sparkle.
The focal butterfly is coloured with three shades of pink Copic and the rest are grey. Aged sheet music stamped tone-on-tone adds some background interest (I masked the big butterfly but not the others and aimed for a hit-and-miss coverage with the stamp for a slightly shabby look).
Stamps:
Wings set (Darkroom Door)
Bubble Border (Lost Coast Designs)
Aged Sheet Music Scrapblock (Cornish Heritage Farms, retired)
Paper:
Cryogen white
Black
Ink:
Brilliance by Tsukineko (Graphite Black)
Tim Holtz Distress ink by Ranger (Bundled Sage)
Other:
Copic markers
Stickles (Frosted Lace)
I'm sending to Wendy, hope she likes it!
Thanks for stopping by!
Labels:
CHF,
darkroom door,
lost coast designs,
postcard,
rubber stamping
Friday, 24 August 2012
Tuneful postcard?
It's nearly the end of the month and that means we're approaching the deadline for the August postcard swap on UKStampers. Sam wanted us to take inspiration from a favourite song this time.
I struggled with this as I don't really have a favourite song. The thing that kept coming back to me while I tried to decide though was Diamonds and Rust by Joan Baez.
I picked up on a few lyrics (brown leaves swirling all around, eyes bluer than robins' eggs and the opening line for the printed text) and the title. Full lyrics are here if anyone is intrigued enough to want them.
I embedded the gems in loads of Glossy Accents and spread some Stickles around as well so I'm hoping they'll make it through the post intact! I was tempted to cheat and just go with the diamond shape of the embossing folder but decided that bottom corner really did need something. I'm still not really happy with the balance overall but I'm not going to have time for another attempt so decided to live with it - hope the recipient doesn't regret my decision!
Stamps:
Falling Leaves (Tim Holtz/Stampers Anonymous)
Nest (CHF, retired)
Paper:
Cryogen white,
Tim Holtz kraft core
Ink:
Tim Holtz Distress ink by Ranger (Wild Honey, Tea Dye, vintage Photo)
Adirondack by Ranger (Espresso)
Other:
Copic markers
Tim Holtz Texture Fade embossing folder
Gems
Glossy Accents
Frosted Lace Stickles
Tidbit of the day - the ex to whom she's singing the song is Bob Dylan (he also wrote a song about their relationship - Sad Eyed Lady of the Lowlands if I remember correctly)
Thanks for stopping by!
I struggled with this as I don't really have a favourite song. The thing that kept coming back to me while I tried to decide though was Diamonds and Rust by Joan Baez.
I picked up on a few lyrics (brown leaves swirling all around, eyes bluer than robins' eggs and the opening line for the printed text) and the title. Full lyrics are here if anyone is intrigued enough to want them.
I embedded the gems in loads of Glossy Accents and spread some Stickles around as well so I'm hoping they'll make it through the post intact! I was tempted to cheat and just go with the diamond shape of the embossing folder but decided that bottom corner really did need something. I'm still not really happy with the balance overall but I'm not going to have time for another attempt so decided to live with it - hope the recipient doesn't regret my decision!
Stamps:
Falling Leaves (Tim Holtz/Stampers Anonymous)
Nest (CHF, retired)
Paper:
Cryogen white,
Tim Holtz kraft core
Ink:
Tim Holtz Distress ink by Ranger (Wild Honey, Tea Dye, vintage Photo)
Adirondack by Ranger (Espresso)
Other:
Copic markers
Tim Holtz Texture Fade embossing folder
Gems
Glossy Accents
Frosted Lace Stickles
Tidbit of the day - the ex to whom she's singing the song is Bob Dylan (he also wrote a song about their relationship - Sad Eyed Lady of the Lowlands if I remember correctly)
Thanks for stopping by!
Labels:
CHF,
postcard,
rubber stamping,
UKStampers
Tuesday, 14 August 2012
Sun, sea and sand
The Design Team at Tando Creative is going seasonal this week and being inspired by "sun, sea and sand".
I've made a simple ATC using one of the white board shapes as a base. I love the fact they're really sturdy so they're easy to handle and you don't need to stick anything on the back of your work to make it feel stable.
Small stamps are perfect to create "holiday snapshots" in the film strip cells and I've added a paperclay starfish that has been in my stash for years - I made it in a polymer clay mould that was created from a real starfish that was in a bowl of decorative shells I picked up in a charity shop.
Supplies:
Chipboard ATC (Tando Creative)
Seaside stamp set (Clear Art Stamps by Crafty Secrets)
Black card
Tim Holtz Distress ink by Ranger (Tumbled Glass)
Versafine ink by Tsukineko (Onyx Black)
Adirondack ink by Ranger (Espresso)
Filmstrip die (Tim Holtz Alterations/Sizzix)
Copic markers
Paperclay starfish
Thanks for stopping by!
I've made a simple ATC using one of the white board shapes as a base. I love the fact they're really sturdy so they're easy to handle and you don't need to stick anything on the back of your work to make it feel stable.
Small stamps are perfect to create "holiday snapshots" in the film strip cells and I've added a paperclay starfish that has been in my stash for years - I made it in a polymer clay mould that was created from a real starfish that was in a bowl of decorative shells I picked up in a charity shop.
Supplies:
Chipboard ATC (Tando Creative)
Seaside stamp set (Clear Art Stamps by Crafty Secrets)
Black card
Tim Holtz Distress ink by Ranger (Tumbled Glass)
Versafine ink by Tsukineko (Onyx Black)
Adirondack ink by Ranger (Espresso)
Filmstrip die (Tim Holtz Alterations/Sizzix)
Copic markers
Paperclay starfish
Thanks for stopping by!
Labels:
ATC,
copic,
rubber stamping,
tando
Saturday, 4 August 2012
Inchies necklace
We're using metallics as our design inspiration at Tando Creative this week.
I seem to be on a bit of a jewellery kick at the moment! I've used three inchies and gently round the corners (I do love that tiny ⅛" on the newer Corner Chomper!) as well as punching holes with a Crop-o-Dile.
Each inchie is done with a different metallic finish. I used three coats of silver UTEE on each square and a layer of Perfect Pearls on two of them (both from the Metallics kit - one Gold, one Bronze). I pressed a stamp into the warm UTEE for texture. I've then glazed them with Decoart Triple Thick - the last time I tried this I used Glossy Accents and it really didn't work (it didn't dry evenly and it split apart in several places so the piece ended up in the bin). I was impressed with the Triple Thick in this regard, it dried evenly and with no problems.
I added jump rings to each piece, filled with more Triple Thick and then finished with a contrasting metallic colour once dry.
The inchies are joined together with jump rings and attached to a necklace chain through a little piece of aluminium tubing superglued to the top one.
The surfaces are shiny enough that it made photographing it a bit of a nightmare but I hope you get the idea!
Supplies:
Chipboard inchies (Tando Creative)
Silver UTEE
Silver acrylic paint
Crackleglaze background stamp (Indigo Blu)
Perfect Pearls by Ranger (Gold and Bronze)
Jump rings
Aluminium tubing
Triple Thick glaze by Decoart
Thanks for stopping by!
I seem to be on a bit of a jewellery kick at the moment! I've used three inchies and gently round the corners (I do love that tiny ⅛" on the newer Corner Chomper!) as well as punching holes with a Crop-o-Dile.Each inchie is done with a different metallic finish. I used three coats of silver UTEE on each square and a layer of Perfect Pearls on two of them (both from the Metallics kit - one Gold, one Bronze). I pressed a stamp into the warm UTEE for texture. I've then glazed them with Decoart Triple Thick - the last time I tried this I used Glossy Accents and it really didn't work (it didn't dry evenly and it split apart in several places so the piece ended up in the bin). I was impressed with the Triple Thick in this regard, it dried evenly and with no problems.
I added jump rings to each piece, filled with more Triple Thick and then finished with a contrasting metallic colour once dry.
The inchies are joined together with jump rings and attached to a necklace chain through a little piece of aluminium tubing superglued to the top one.
The surfaces are shiny enough that it made photographing it a bit of a nightmare but I hope you get the idea!
Supplies:
Chipboard inchies (Tando Creative)
Silver UTEE
Silver acrylic paint
Crackleglaze background stamp (Indigo Blu)
Perfect Pearls by Ranger (Gold and Bronze)
Jump rings
Aluminium tubing
Triple Thick glaze by Decoart
Thanks for stopping by!
Labels:
chipboard,
inchie,
indigo blu,
jewellery,
rubber stamping,
tando,
utee
Wednesday, 25 July 2012
Button necklace
The challenge for July over on Tando Creative Challenges is to use texture of some sort on your project. Lots of samples have already been posted this month - I'm part of the rear guard action!
I used a big chipboard button from the grab bag, coloured it black with a Copic marker and created texture with an embossing folder for this pendant.
After embossing, the surface is dabbed with Versamark and I've added Perfect Pearls in three colours (Gold, Copper and Bronze - all from the Metallics kit) and used a length snipped from a bamboo skewer to secure a chain through the button's holes. It's simple to do - just thread the chain from the back of the button through the first hole, wrap round the skewer (I went round twice) and back down through the hole. Come up through the second hole, wrap round the skewer and go back down through the hole. Juggle the two ends as necessary by easing through the holes and round the skewer so you get even lengths of chain each side.
Supplies:
Chipboard button grab bag (Tando Creative)
So Trendy M-Bossabilites folder (Spellbinder)
Black Copic marker
Versamark (Tsukineko)
Gold, Copper and Bronze Perfect Pearls (Ranger)
Bamboo skewer
Chain
I've made my first ever tutorial video to demonstrate the process - constructve criticism very welcome! If you'd like go through to YouTube instead of watching it embedded here, the description area has a "checklist" of the steps involved that you can copy and print if you want to have a go yourself and would like a reference on hand.
There's still time to join in the challenge and be in with a chance of your name being pulled out of the hat to win a great prize at the end of the month - check out the blog and add your link if you'd like to play along!
Thanks for stopping by!
I used a big chipboard button from the grab bag, coloured it black with a Copic marker and created texture with an embossing folder for this pendant.After embossing, the surface is dabbed with Versamark and I've added Perfect Pearls in three colours (Gold, Copper and Bronze - all from the Metallics kit) and used a length snipped from a bamboo skewer to secure a chain through the button's holes. It's simple to do - just thread the chain from the back of the button through the first hole, wrap round the skewer (I went round twice) and back down through the hole. Come up through the second hole, wrap round the skewer and go back down through the hole. Juggle the two ends as necessary by easing through the holes and round the skewer so you get even lengths of chain each side.
Supplies:
Chipboard button grab bag (Tando Creative)
So Trendy M-Bossabilites folder (Spellbinder)
Black Copic marker
Versamark (Tsukineko)
Gold, Copper and Bronze Perfect Pearls (Ranger)
Bamboo skewer
Chain
I've made my first ever tutorial video to demonstrate the process - constructve criticism very welcome! If you'd like go through to YouTube instead of watching it embedded here, the description area has a "checklist" of the steps involved that you can copy and print if you want to have a go yourself and would like a reference on hand.
There's still time to join in the challenge and be in with a chance of your name being pulled out of the hat to win a great prize at the end of the month - check out the blog and add your link if you'd like to play along!
Thanks for stopping by!
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